It turns out that the rules that govern negotiations between video programming networks (both broadcast television and non-broadcast networks) and the cable and satellite distribution systems (commonly called distributors) are similarly harmful to the market and serve to stifle programming innovation and diversity. This is especially harmful to the small, independent networks—that is, networks not affiliated with a national broadcaster, a major studio or entity owning numerous satellite or cable channels, or a multi-channel video programming distributor.
The Industry
The amount of available video offerings has grown exponentially over the last four decades. In the early 1980s, most cable packages offered the local broadcast stations and a handful of non-broadcast networks. After midnight, most television stations went dark, a concept youth today find difficult to comprehend.
Today, of course, there are hundreds of video programming networks. Tens of billions of dollars are spent each year producing and acquiring the rights to shows, movies, sporting events, and myriad other types of content for distribution. Over time there has been massive consolidation in the cable and satellite TV industry. Today there are four major distributors in the United States through which most households get their video programming: Comcast, Charter, AT&T/DirecTV, and DISH. There are also a few mid-sized players like Verizon, Altice, and Cox. Despite the recent trend toward "cord-cutting," most people still access video programming networks via a cable or satellite distributor.
Two major factors drive distributors' costs: the capital and service costs for deploying and maintaining their distribution systems, and the cost of acquiring the content they provide via their service.
Distributors negotiate carriage rights with the programming networks and in most cases pay them a per-subscriber "carriage fee" per channel for their programming. Programming networks make their money both from the monthly fees from distributors and from the advertising they sell on their channels.
A network wants to be in as many homes as possible and attract as many viewers as possible. The more viewers it has, the more it can charge for advertising and the more it can demand in subscriber fees.
The vast majority of the successful channels are members of networks "families." Sometimes these are owned by one of the distributors: for instance, Comcast owns NBC, CNBC, Bravo, E!, and a few other networks. Large multimedia companies own suites of networks: Disney owns ABC, Lifetime, A&E, the Disney Channel, and ESPN, along with all of its sister networks. Discovery, Fox, Viacom, Time Warner, A&E, and AMC are other multimedia companies that have multiple networks. These entities negotiate the carriage fees for their entire lineup of stations at once, as a package.
With only a handful of cable and satellite distributors dominating the market, the major distributors can act as an oligopsony (i.e., a small collection of buyers who, together, dominate the market) and leverage their collective market power to pay prices that would be lower than if there were real per-channel competition. An effective oligopsony would result in fewer program networks and fewer programs would be made, but—as I'll explain in a moment—the market currently does not function that way.
Added to the lack of true per-channel competition, there is no reason to believe much or any of the lower costs to the distributors would be passed on to consumers: the lower cost to acquire networks results in higher profits for the distributors.
What mitigates this suboptimal outcome—for the most part—is that the oligopsonistic distributors have to negotiate with a small group of multimedia companies that own most of the networks and function much like an oligopoly. Approximately 90 of Nielsen's 100 most-watched channels are owned by one of the major multimedia companies. Oligopolies—much like monopolies—extract higher prices from buyers and concomitantly sell less than the efficient amount. But in this market the programming conglomerates may actually sell more than the efficient amount via their insistence upon the carriage of their entire bundle of networks, including lesser-rated networks that are still paid far more than their independent, comparably rated competitors.
Table 1 compares the fees paid by distributors to selected independent channels as well as to comparably rated channels owned by oligopolies. The table makes clear that ratings and household delivery do not directly translate into the value of subscriber fees that distributors will grant to independent networks. The four independent networks shown in the table receive a fraction of the monthly subscriber fees paid to networks of similar or lower Nielsen ratings owned by large multimedia companies. The bargaining power of the large programming conglomerates plays an important role in determining subscriber fees and continued carriage of many programming networks. They effectively amplify their bargaining power by bundling multiple channels with a highly rated channel like ESPN.
While oligopolies and oligopsonies by themselves can lead to suboptimal outcomes, taken together—a situation economists call a bilateral oligopoly—each side's market power is tempered by the other, and the net result often approaches the efficient market outcome. Such an outcome is good for consumers, as they get access to what might be construed as the "right" amount of programming the market wants while not paying too much for it. And it's good for most networks, too, because their collective market power gives them a better outcome than if the cable and satellite distributors could exert their oligopsony powers unchecked.
Independents and MFN
This works for the program content companies with multiple network offerings that are part of the oligopoly, but it doesn't work out well for independent networks whose rights are sold alone by their company, unbundled with any other offerings. The current situation makes their existence precarious.
They are most emphatically not a part of any oligopoly: they have no market power themselves and would not add any discernible market power to the oligopoly. Instead, they find themselves negotiating by themselves against the cable and satellite distributors. What's more, they must do so burdened by the terms intended to govern the bilateral oligopoly—particularly the so-called "most favored nation" clause (MFN)—that work to their detriment.
MFN is a concept borrowed from international relations and its use goes back centuries. Fundamentally, an entity receiving this benefit is accorded the same privileges given to other trading partners—or in this case, other customers. In the context of television, it means that any price or provision a seller provides to one buyer must be made available to other buyers. There are a variety of MFNs, including the predominant one used with independent networks. Economists refer to this MFN as an unconditional MFN because the distributor receives a benefit—the lowest price and best terms—without giving any consideration in return.
In the current video programming market, this means that the price a cable or satellite distributor pays a program network has to be made known to other distributors as well, and those other distributors must have the option of paying that price if they choose to do so. If Comcast pays the Tribune Corporation 13¢ a month per customer to carry the independent network WGN on its system, Tribune has to let every other distributor pay that same rate as well.
If Charter told Tribune it only wanted to pay a dime a month to carry WGN, but in return Tribune would get a favorable channel placement for WGN, the loss in revenue for Tribune would be much more than a 22% reduction in monthly rights fees from that one cable company. All distributors with an MFN would get to reduce their payments by the same amount and on the same effective date, and they would not have to match the favorable channel placement.
MFNs often implicate more than carriage fees; they can affect other important non-monetary provisions such as whether a network is carried in high or standard definition, its channel placement and service tier (e.g., basic, extended, etc.), channel guide menu placement, and whether and under what conditions a network can provide content to "Over The Top" (i.e., internet-based) distributors. Some video distribution contracts involving independent programming networks even impose an MFN on MFNs.
At one level, this arrangement would appear to give an independent network a modicum of leverage: a rate reduction sought by only one distributor has a magnified effect on a network's revenue, and the distributor knows that the network simply does not have the option of acquiescing because the cost to the network of doing so would be too high. Essentially, the MFN acts just like leverage does in an investment: it amplifies the economic losses from a reduction in monthly payments, undermining any security in existing agreements.
However, that leverage is a double-edged sword: a distributor can also choose to simply not negotiate with an independent network, make a legitimate threat to do without it, and drop the network entirely. A distributor might have trouble doing without Disney/ESPN's channels, but it can do without an independent network like rural issues–oriented RFD and not engender meaningful consumer unrest. Substantial barriers to substitutability among distributors mean that consumers are very unlikely to seek out a favored independent network carried on a different distribution system. In short, changing providers is a hassle and few people will do so for an RFD, or any other single station for that matter.